{Truth in Art}[26th March 1987]

[Redbook3:22][19870326:1512]{Truth in Art}[26^th March 1987]

19870326.1512

(RE TRUTH, ART etc.)

Rereading the first entry in this Book Volume III* ... it seems clear that the Craftsman pursues the course mostly of the Outer Circle – Action first, in the sense of Will to Action (cf. Hitler?) – whereas the Artist pursues the course mostly of the Inner Circle – Revelation “before” Action, at least in terms of “causation”. This recognition arose out of the mention of each containing something of the other: i.e., as is usual, the circles revolve symmetrically and in complementary opposition. This might explain why the Craftsman can produce work of lasting value despite the ending* [sic] of the Outer Circle in Revolution: the value depending on the relative strength of the Inner Circle movement. Then again, it may be argued that Revolution itself need not always be negative, even for the person to whom it happens in a material sense?

{It also has Resonance of Revelation?}

*[Redbook3:1-5][19860325:0153] {TRUTH} [25^th March 1986] 

**[This interpretation later supplemented.]

 

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