[Redbook10:79][19910512:1718hc]{Modern Art [continued (61)]}[Extracts from source text with ms notes][12th May 1991]
19910512.1718
[continued]
**
*[Marginal note above:]
64A~1952
**[– ibid (Encyclopaedia Britannica 25:)374]
[Source text continues from last previous ts journal entry]
[Source text continues in next ts journal entry]
[continued]
[PostedBlogger2606for07072026]
[Redbook10:79][19910512:1718hb]{Modern Art [continued (60)]}[Extracts from source text with ms notes][12th May 1991]
19910512.1718
[continued]
*[– ibid (Encyclopaedia Britannica 25:)374]
[Source text continues from last previous ts journal entry]
[Source text continues in next ts journal entry]
[continued]
[PostedBlogger2606for06072026]
[Redbook10:79][19910512:1718ha]{Modern Art [continued (59)]}[Extracts from source text with ms notes][12th May 1991]
19910512.1718
[continued]
*[– ibid (Encyclopaedia Britannica 25:)374]
[Source text continues from last previous ts journal entry]
[Source text continues in next ts journal entry]
[continued]
[PostedBlogger2606for05072026]
[Redbook10:79][19910512:1718gz]{Modern Art [continued (58)]}[Extracts from source text with ms notes][12th May 1991]
19910512.1718
[continued]
*
**
*[Marginal notes above:]
{– Post-war Painting}
|
|
C |
|
|
|
/ |
|
\ |
|
r~ |
|
? |
|
S~ |
Cf Max Ernst
ref IX: [[Redbook9:52-53][19910409:0923e]{Man Ray... and Max Ernst}[9th April 1991],] 52-53
**[– ibid (Encyclopaedia Britannica 25:)374]
[Source text continues from last previous ts journal entry]
[Source text continues in next ts journal entry]
[continued]
[PostedBlogger2606for04072026]
[Redbook10:79][19910512:1718gy]{Modern Art [continued (57)]}[Extracts from source text with ms notes][12th May 1991]
19910512.1718
[continued]
**
*[Marginal note above:]
↑
└
[Ref (presumably) [Redbook10:76][19910512:1718gm]{Modern Art [continued (45)]}[Extracts from source text with ms notes][12th May 1991]]
**[– ibid (Encyclopaedia Britannica 25:)374]
[Source text continues from last previous ts journal entry]
[Source text continues in next ts journal entry]
[continued]
[PostedBlogger2606for03072026]
[Redbook10:78-79][19910512:1718gx]{Modern Art [continued (56)]}[Extracts from source text with ms notes][12th May 1991]
19910512.1718
[continued]
**
*[Figure 20 included in the ms but not in the ts, is a reproduction of ‘Twittering Machine’ by Paul Klee, 1922ce]
**[– ibid (Encyclopaedia Britannica 25:)373-374]
[Source text continues from last previous ts journal entry]
[Source text continues in next ts journal entry]
[continued]
[PostedBlogger2606for02072026]
[Redbook10:78][19910512:1718gw]{Modern Art [continued (55)]}[Extracts from source text with ms notes][12th May 1991]
19910512.1718
[continued]
**
***
*[Marginal notes above:]
|
|
r~ |
|
|
/ |
|
|
g~ |
|
|
? |
|
\ |
|
|
|
|
j~ |
|
64r~|S~1928||g~|M~1936[ce]
**[Plate 24 in the source text is not reproduced in the ms or the ts; it includes ‘Composition’ by Joan Miró, 1933ce]
[Picasso’s ‘Guernica’ is reproduced in the source text & in the ms but not in the ts]
***[– ibid (Encyclopaedia Britannica 25:373)]
[Source text continues from last previous ts journal entry]
[Source text continues in next ts journal entry]
[continued]
[PostedBlogger2606for01072026]
[Redbook10:78][19910512:1718gv]{Modern Art [continued (54)]}[Extracts from source text with ms notes][12th May 1991]
19910512.1718
[continued]
***
*[Plate 25 in the source text is not reproduced in the ms or the ts; it includes ‘I and the Village’ by Marc Chagall, 1911ce]
**[Marginal note above:]
64|C1920|S1928[ce]
***[– ibid (Encyclopaedia Britannica 25:373)]
[Source text continues from last previous ts journal entry]
[Source text continues in next ts journal entry]
[continued]
[PostBlogger26for30062026]
[Redbook10:78][19910512:1718gu]{Modern Art [continued (53b)]}[Extracts from source text with ms notes][12th May 1991]
19910512.1718
[continued]
**
***
*[Plate 24 in the source text is not reproduced in the ms or the ts; it includes ‘Departure’ ,oil on canvas triptych by Max Beckman, 1932-33ce]
**[Marginal notes above:]
64C1920 |
↓\↓ |
S~ |
{– Classical Consolidation in Painting}
***[– ibid (Encyclopaedia Britannica 25:373)]
[Source text continues from last previous ts journal entry]
[Source text continues in next ts journal entry]
[continued]
[PostedBlogger26for29062026]
[Redbook10:78][19910512:1718gu]{Modern Art [continued (53)]}[Extracts from source text with ms notes][12th May 1991]
19910512.1718
[continued]
**
*[Notes above:]
{NB}
{Fantastic Realism}
[Emphasis: ‘transformation’ – underlined]
**[– ibid (Encyclopaedia Britannica 25:)373]
[Source text continues from last previous ts journal entry]
[Source text continues in next ts journal entry]
[continued]
[PostedBlogger26for28062026]
[Redbook10:77-78][19910512:1718gt]{Modern Art [continued (52)]}[Extracts from source text with ms notes][12th May 1991]
19910512.1718
[continued]
**
*[Marginal notes above:]
**{ – Surrealist Painting}
64C1920[ce]
|
|
C |
|
↓/↓ |
|
r~ |
|
|
cf IX [[Redbook9:52-53][19910409:0923e]{Man Ray... and Max Ernst}[9th April 1991],] 52-53
cf IX [[Redbook9:52-53][19910409:0923e]{Man Ray... and Max Ernst}[9th April 1991],] 52-53
**[– ibid (Encyclopaedia Britannica 25:)372-373]
[Source text continues from last previous ts journal entry]
[Source text continues in next ts journal entry]
[continued]
[PostedBlogger26for27062026]
