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‘The interest in the passions gave a new significance to animal painting.’* (eg Stubbs, James Ward).

* – ibid [Encyclopaedia of Visual Art]: 757

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    Gericault’s ‘The Raft of the Medusa’ (1819; Louvre. Paris) ‘was an academic tour de force. Yet it moved outside the conventions of history painting by depicting a scene without a hero, and by representing the whole with a lurid pallor more nauseous than cathartic.’

*

* – ibid [Encyclopaedia of Visual Art]: 755-756

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[continued]

*

*[– ibid (Encyclopaedia of Visual Art) 753]

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[continued]

*

**

***

*’Third of May, 1808’ by Goya; oil on canvas; 266x345cm (105x136in); 1814. Prado, Madrid

**[See last previous ts journal entry]

***[– ibid (Encyclopaedia of Visual Art) 752]

[This reproduction from Wikipedia]

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[continued]

*

**

***

*[Marginal note above:]

{64M~1808}

**[See next ts journal entry]

***[– ibid (Encyclopaedia of Visual Art) 753]

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*

*[– ibid (Encyclopaedia of Visual Art) 753]

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*

*[– ibid (Encyclopaedia of Visual Art) 753]

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*

*[– ibid (Encyclopaedia of Visual Art) 753]

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*

*[– ibid (Encyclopaedia of Visual Art) 753]

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*

**

*[Marginal note in ms:]

{[Redbook10:53][19910512:1718dm](Neoclassicism & Romanticism) ROMANTICISM [continued (24)] [Extracts from source text with ms notes][12th May 1991],} 53

**[– ibid (Encyclopaedia of Visual Art) 752-753]

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*

*[– ibid (Encyclopaedia of Visual Art) 752]

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*

**

*[Marginal notes above:]

{m~)

{G~}***

{U~

J~}

**[– ibid (Encyclopaedia of Visual Art) 752]

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***[&/or g~, surely? – especially for Blake]

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*

*[– ibid (Encyclopaedia of Visual Art) 751-752]

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*

**

*{[[Redbook10:55][19910512:1718dq](Neoclassicism & Romanticism) ROMANTICISM [continued (28)] [Extracts from source text with ms notes][12th May 1991],] 55→}

**’Elohim Creating Adam by William Blake; color print finished in watercolour (only known copy)’ 43x53cm (17x21in); 1795. Tate Gallery, London’

[– ibid (Encyclopaedia of Visual Art) 751 (the reproduction from which is not the one reproduced in the ts]

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*

**

*[Marginal note above:]

{64R~1792[ce]}

**[– ibid (Encyclopaedia of Visual Art) 751]

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*

*[– ibid (Encyclopaedia of Visual Art) 751]

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