[Redbook10:91-92][19910512:1718ix]{Modern Art [continued (105)]}[Extracts from source text with ms notes][12th May 1991]
19910515:0950
[continued]
*[ibid (Encyclopaedia of Visual Art 5:771-772)]
[Source text continues from last previous ts journal entry but one]
[Source text continues in next ts journal entry]
[continued]
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[Redbook10:91][19910512:1718iw]{Modern Art [continued (104)]}[Extracts from source text with ms notes][12th May 1991]
19910515:0950
[continued]
**
*Olympia by Manet; oil on canvas; 130x190cm; 1863ce.
[See last previous ts journal entry]
**[ibid (Encyclopaedia of Visual Art 5:771)]
[The reproduction in the source text & in the ms is not the reproduction in the ts]
[continued]
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[Redbook10:91][19910512:1718iv]{Modern Art [continued (103)]}[Extracts from source text with ms notes][12th May 1991]
19910515:0950
[continued]
*[See next ts entry]
[ibid (Encyclopaedia of Visual Art 5:771)]
[Source text continues from last previous ts journal entry]
[Source text continues in next ts journal entry but one]
[continued]
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[Redbook10:90-91][19910512:1718iu]{Modern Art [continued (102)]}[Extracts from source text with ms notes][12th May 1991]
19910515:0950
[continued]
*
*[‘In this context…’ – see last previous ts entry]
**[Marginal note above:]
{I}[Vertical emphasis line]
[See [Redbook10:89][#19910512:1718ip]{Modern Art [continued (97)]}[Extracts from source text with ms notes][12th May 1991]]
***[ibid (Encyclopaedia of Visual Art 5:770-771)]
[Source text continues from last previous ts journal entry]
[Source text continues in next ts journal entry]
[continued]
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[Redbook10:90][19910512:1718it]{Modern Art [continued (101)]}[Extracts from source text with ms notes][12th May 1991]
19910515:0950
[continued]
***
*[Marginal note above:]
{I}[Vertical emphasis line]
**[Marginal notes above:]
DOMINANCE OF MUSIC NB
↓
2048r~1792[CE]
{I}[Vertical emphasis line]
{I}[Vertical emphasis line]
{
|
|
C |
|
↑/↑ |
|
R~ |
|
|
}
***[ibid (Encyclopaedia of Visual Art 5:770)]
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[Source text continues in next ts journal entry]
[continued]
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[Redbook10:90][19910512:1718is]{Modern Art [continued (100)]}[Extracts from source text with ms notes][12th May 1991]
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[continued]
**
*[Marginal notes above:]
{2048R~1792[ce]}
{2048{M~|G~1536[ce]}
{64J~1896[ce]}
‘*’[↑ "a period when art" -- ie Realism, then Impressionism – see [[Redbook10:63][19910512:1718es]{Modern Art Cycles}[12th May 1991],] p63
{64S~1864|U~1880[ce]}
**[ibid (Encyclopaedia of Visual Art 5:770)]
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[continued]
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[Redbook10:90][19910512:1718ir]{Modern Art [continued (99)]}[Extracts from source text with ms notes][12th May 1991]
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[continued]
*[ibid (Encyclopaedia of Visual Art 5:770)]
[Source text continues from last previous ts journal entry]
[Source text continues in next ts journal entry]
[continued]
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[Redbook10:90][19910512:1718iq]{Modern Art [continued (98)]}[Extracts from source text with ms notes][12th May 1991]
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[continued]
*[Encyclopaedia of Visual Art 5:770]
[Source text continues in next ts journal entry]
[continued]
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[Redbook10:89][#19910512:1718ip]{Modern Art [continued (97)]}[Extracts from source text with ms notes][12th May 1991]
19910515:0950#
<910714>
--------
<910715>
{– Realism}
**
*[The Bathers by Courbet; oil on canvas; 227x193cm; 1853ce]
**E[ncyclopaedia of ]V[isual] A[rt] 5:769
[The reproduction in the source text & in the ms is not the reproduction in the ts]
[continued]
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#[Uncorrected date discrepancy:
From ms/ts p35 to p89 the ms date was accidentally left unchanged in the ts until after the blog had been posted. The ts date was subsequently corrected but the error remains in the blog. The header date-time reference has been left unchanged in both, partly to avoid cross-referencing problems.
The correct text dates for the blog should therefore be read as:
pp35-68 (1st entry): 19910513:0916;
pp68-89 (1st entry): 19910514:0902;
pp89-100: 19910515:0950.]
[Redbook10:89][19910512:1718io]{Modern Art [continued (96)]}[Extracts from source text with ms notes][12th May 1991]
19910512.1718
[continued]
‘About 1952* there was a significant shift within modernism** from what had come to be called Functionalism, or the International Style, towards a monumental Formalism. There was an increasing interest in the convolutions of highly sculptural masses and spaces, as well as in the decorative qualities of diverse building materials and exposed structural systems.’
***
*{64A~1952}
**[in architecture]
***[– ibid (Encyclopaedia Britannica 13:1050)]
[continued]
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[Redbook10:88][19910512:1718in]{Modern Art [continued (95)]}[Extracts from source text with ms notes][12th May 1991]
19910512.1718
[continued]
‘See E[ncylopaedia] B[ritannica]* for the details** –
and note effect (limited) of e.g.[:]
Art
Nouveau: end of 19th century [ce]
Constructivism***
Futurism:
c[irca]1914[ce]***
(Expressionism
1910-25[ce] (Germany))
↓Cubism
1906[ce]
(Paris)***
└
de Stijl movement: 1917[ce] Netherlands
Neoplasticism**
Suprematism**
***and
the work, in forming the ‘International Style’, of:
Walter
Gropius (1883-1969[ce])****
Mies van der Rohe
(1930[ce]ff)****
Le Corbusier
****(at the
Bauhaus)
‘After 1930 the modern movement spread through
Europe.’
#
*[– ibid (Encyclopaedia Britannica 13:1039-1053)]
**[of the architectural trends outlined in the last 6 previous ts journal entries, [Redbook10:88][19910512:1718ig]{Modern Art [continued (89)]}[Extracts from source text with ms notes][12th May 1991]ff]
***[See above, in text]
****[See above, in text]
# – E[ncyclopaedia] B[ritannica] 13:1048
[continued]
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