Tuesday, 17 February 2026

(Neoclassicism & Romanticism){Neoclassicism [continued (8)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:38][19910512:1718bt](Neoclassicism & Romanticism){Neoclassicism [continued (8)]}[Extracts from source text with ms notes][12th May 1991]


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[continued]


‘... Mengs' painting of “Parnassus" does share the stilted academic quality of many early Neoclassical pictures. It indicates the uneasiness felt by European painters as they attempted to meet the rules of the new style.’

*



* – ibid [Encyclopaedia of Visual Art 4:] 734



[continued]


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Monday, 16 February 2026

(Neoclassicism & Romanticism){Neoclassicism [continued (7)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:37][19910512:1718bs](Neoclassicism & Romanticism){Neoclassicism [continued (7)]}[Extracts from source text with ms notes][12th May 1991]


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[continued]





*

**

***



*[‘Winckelmann himself…’ – see last previous ts journal entry]


**[Marginal notes above, in vertical order:]


{r~

R~, s~?}


{R~

S~, s~}



***[Encyclopaedia of Visual Art 4:733]

[Source text continues from last previous ts journal entry]



[continued]


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Saturday, 14 February 2026

(Neoclassicism & Romanticism){Neoclassicism [continued (6)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:36-37][19910512:1718br](Neoclassicism & Romanticism){Neoclassicism [continued (6)]}[Extracts from source text with ms notes][12th May 1991]


19910512.1718

[continued]




*

**




*[Marginal note above:]


{s~}



**[Encyclopaedia of Visual Art 4:732-733]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]



[continued]


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(Neoclassicism & Romanticism){Neoclassicism [continued (5)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:36][19910512:1718bq](Neoclassicism & Romanticism){Neoclassicism [continued (5)]}[Extracts from source text with ms notes][12th May 1991]


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[continued]



*

**

***



*[‘these publication’ – see last previous ts journal entry]



**[Marginal note above:]


{R~}



***[Encyclopaedia of Visual Art 4:732]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]



[continued]


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Friday, 13 February 2026

(Neoclassicism & Romanticism){Neoclassicism [continued (4)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:36][19910512:1718bp](Neoclassicism & Romanticism){Neoclassicism [continued (4)]}[Extracts from source text with ms notes][12th May 1991]


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[continued]



*



*[Encyclopaedia of Visual Art 4:732]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]


[continued]


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Wednesday, 11 February 2026

(Neoclassicism & Romanticism){Neoclassicism [continued (3)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:36][19910512:1718bo](Neoclassicism & Romanticism){Neoclassicism [continued (3)]}[Extracts from source text with ms notes][12th May 1991]


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[continued]



*

**


*[Footnote above:]


{2048R~|s~1792CE|256BCE}



**[Encyclopaedia of Visual Art 4:732]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]


[continued]


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(Neoclassicism & Romanticism){Neoclassicism [continued]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:36][19910512:1718bn](Neoclassicism & Romanticism){Neoclassicism [continued]}[Extracts from source text with ms notes][12th May 1991]


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[continued]



*



*[Encyclopaedia of Visual Art 4:732]

[Source text continues in next ts journal entry]



[continued]


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Tuesday, 10 February 2026

(Neoclassicism & Romanticism){Neoclassicism}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:35*][19910512:1718bm](Neoclassicism & Romanticism){Neoclassicism}[Extracts from source text with ms notes][12th May 1991]


19910512.1718

[continued]



**


*[Pages 33 & 34:] (This page left blank deliberately)

**’The Apotheosis of Homer; relief design by John Flaxman, vase by Josiah Wedgwood; jaspar ware; height 47cm (19in); c[irca]1785[ce].’

***[Encyclopaedia of Visual Art 4:731 (where the illustration is in colour)]



[continued]


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Monday, 9 February 2026

(Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (24)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:32][19910512:1718bl](Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (24)]}[Extracts from source text with ms notes][12th May 1991]


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[continued]


*

**



*[Marginal note in ms:]

[Source text continues:] ‘indeed, parallel to that of Viollet-le-Duc….’


**– E[ncyclopaedia] B[ritannica] 13:1036-1037



[continued]


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Saturday, 7 February 2026

(Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (23)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:31-32][19910512:1718bk](Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (23)]}[Extracts from source text with ms notes][12th May 1991]


19910512.1718

[continued]




*


**



*[Marginal note above:]


{2048R~1792[ce]}



**– E[ncyclopaedia] B[ritannica] 13:1035-1036



[continued]


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(Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (22)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:30][19910512:1718bj](Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (22)]}[Extracts from source text with ms notes][12th May 1991]


19910512.1718

[continued]



*

**

***



*Law Courts, London, by George Edmond Street, 1874-82[ce]


**And of this complex, of course, my personal memories are not so pleasant, although I did appreciate its qualities….

[ref [Redbook10:29][19910512:1718bc](Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (17)]}[Extracts from source text with ms notes][12th May 1991], 2nd mn]


***– E[ncyclopaedia] B[ritannica] 13:1034




[continued]


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Thursday, 5 February 2026

(Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (21)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:30][19910512:1718bi](Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (21)]}[Extracts from source text with ms notes][12th May 1991]


19910512.1718

[continued]



*

**

***



*Midland Hotel at St. Pancras Station, London, by Sir George Gilbert Scott, 1867-74[ce]


**Definitely my favourite station and my favourite railway company (eg Settle & Carlisle Line).

[ref [Redbook10:29][19910512:1718bc](Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (17)]}[Extracts from source text with ms notes][12th May 1991], 1st mn]


***– E[ncyclopaedia] B[ritannica] 13:1034




[continued]


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Tuesday, 3 February 2026

(Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (20)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:29-30][19910512:1718bh](Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (20)]}[Extracts from source text with ms notes][12th May 1991]


19910512.1718

[continued]




*

**



*[‘… a cathedral for Liverpool…’] {only recently completed (?)}

[Yes – in 1978]


**– E[ncyclopaedia] B[ritannica] 13:1033-1034




[continued]


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(Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (19)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:29][19910512:1718bg](Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (19)]}[Extracts from source text with ms notes][12th May 1991]


19910512.1718

[continued]



*
**


*[‘… George F Bodley, who often employed the artist William Morris and his associates, including… Sir Edward Burne-Jones, to decorate his churches….’ – including the chapel at the school this writer attended for five years in his teens]


**– E[ncyclopaedia] B[ritannica] 13:1033

[Source text continues in next ts journal entry]



[continued]


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(Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (18)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:29][19910512:1718bf](Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (18)]}[Extracts from source text with ms notes][12th May 1991]


19910512.1718

[continued]



*

**



*[Marginal notes above (in vertical order):]


[[Redbook10:30][19910512:1718bf](Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (20)]}[Extracts from source text with ms notes][12th May 1991](illustration),] (30)


[[Redbook10:30][19910512:1718bg](Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (21)]}[Extracts from source text with ms notes][12th May 1991](illustration),] (30)



**– E[ncyclopaedia] B[ritannica] 13:1033

[Source text continues from last previous ts journal entry]



[continued]


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Monday, 2 February 2026

(Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (17)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:29][19910512:1718be](Neoclassicism & Romanticism – Architecture){Romantic Architecture [continued (17)]}[Extracts from source text with ms notes][12th May 1991]


19910512.1718

[continued]



*


**


*[‘This taste…’ – see last previous ts journal entry]


**– E[ncyclopaedia] B[ritannica] 13:1033

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]



[continued]


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