{Conscious and Unconscious Influences (1)}[9th May 1988]

[Redbook5:114-115][19880509:1135b]{Conscious and Unconscious Influences (1)}[9^th May 1988]

19880509.1135

[continued]

(1)* The** theory (or hypothesis) is that the shorter [the] line joining +C†I~ or +A to another point on the Circle (and this may apply to the influence from other points too), the more consciously the influence [is] felt; and the longer the line, the more unconsciously it is felt.

So, for example:

[The letters in the ms diagram shown above are set out in the table below. They are ~-letters, not +/x-letters, although M appears in the same location as both types, and C frequently appears for +C†I~ in ms diagrams. The two words appearing twice each in the ms diagram above are 'Conscious' and 'Unconscious').]

		C
	R		S
G		+		M
	J		U
		A

This suggests that the influence of +C†I~ on the Sybil, Prophet, Intellectual or Musician is relatively consciously felt, whereas the influence of A~ is relatively unconsciously felt; for such people as Artists and Craftsmen the position is reversed. Types at G~ and M~ are balanced in this respect; types [sic] at +C†I~ and at A~ are at the extreme in this respect. (Bear in mind that these would be 'pure' Types; *** actual Individuals are likely to be 'mixed' Types.)

*[See last previous entry for an explanation of this numbering.]

**(ex 0424 [refers to date on relevant marginal note – see last previous entry.])

***{See [[Redbook5:143-144][19880608:1100]{Conscious and Unconscious Influences (2)}[8^th June 1988],] 143}

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