[Redbook5:130-131][19880529:1818]{Literary
Criticism}[29th
May 1988]
.1818
I
have just survived with reasonable equanimity the experience of
having my novel [2] described as a mass of unrelated facts by the
first person* (other then me) to attempt to read it! Fortunately the
examples she gave could be shown easily to be related to 'facts'
previously introduced and clearly related, which she had forgotten.
I
plan to show [2] in draft to two sorts of reader (apart from
publishers): those who have an interest in the subject matter –
such as the Canon [XQ],** my uncle [U],*** and [SX],**** to whom I
have already sent '[xS]ine extracts – whom I shall pick; and those
who ask to read it, who will pick themselves. The reaction of the
three above to the extracts has been appreciative; all that the
reaction of the latter group tells me is what kind of person may or
may not appreciate it.
This
first reader has been reading it at great speed, skipping forward
(and back?) to try to maintain her interest; she wants an answer to
all her questions now,
and is not satisfied to be told that the answer will be available
later. She says that she needs to know now in order to give her the
impetus to go on. I suppose that she must prefer straightforward
narrative without the element of mystery or suspense present in (for
example) detective stories. The lesson – as she is able to talk
with moderate conviction about musical works, novels,# etc. – is
that the superficial appearance of knowledge often hides a lack of
cultural depth.#*
*[[DY],
one of [d]'s godmothers; see
[Redbook5:124][19880527:2240b]{Perceptions of Jesus Christ}[27th May
1988].]
**[See
[Redbook5:5A][19880126:0000][Extract from Letter to [XQ] (1)][26th
January 1988].]
***[See
e.g [Redbook2:43-44][19740819:0000c]{A Trip to the Colonies
[continued(4)]}[19th
August
1974], & al seq]
****[See
[Redbook4:287][19880104:1622e]{Marital Crisis}[4th
January 1988], & al seq]
#&
Freud (but not Jung).
#*[This
does seem a bit sweeping. She
was an opera-lover; maybe
an opera obsessive. There seems to be a particular type of female
opera-lover, with another example of which the
writer
later had a brief and friendly affair, who is obsessive and
knowledgeable about opera but not terribly bright. <20180309>]
[continues]
[PostedBlogger30042018]