{Classical Greek Art [continued (4)][– Sculpture][– Chiasmus]}[27th January 1991]

[Redbook8:192][19910127:1250d]{Classical Greek Art [continued (4)][– Sculpture][– Chiasmus]}[27th January 1991]

19910127.1250

[continued]

‘Thanks partly to his interest in chiasmus (the tension and corresponding relaxation* of limbs and muscles on opposite parts of the body) [Polycleitos]** achieved a harmonious design which, unlike the single-aspect compositions of the Transitional sculptures, was satisfying when seen from any angle.’

– ibid [Encylopaedia of Visual Art 1:]137

*

		C
		|
g~	←	– + –	→	m~

**(Pheidias’*** contemporary, in the Peloponnesian tradition)

(c<450-430>BCE)

(64C448-64M432BCE)

512S~r~448

[Square brackets as in ms]

***[See [Redbook8:194][19910127:1250i]{Classical Greek Art [continued (9)]} ([–] Sculpture [continued (5)][– Pheidias])[27th January 1991]]

[continued]

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