[Redbook5:27-28][19880302:1842b]{The
Letter and the Spirit [continued
(4)]}[2nd
March 1988]
19880302.1842
[continued]
Drama
is, I believe, a form of creative Literature, perhaps slightly to the
A~ side of G~.
Poetry
is the marriage of creative Literature and Music, so I guess on the
G~-R~ arc.
Music
itself may be at +C†I~
so far as composition is concerned, R~ being for musicians in the
sense performers of music: the link of +C and music is emphasised in
all the fictions of the [0] series so far written. Music is unique,
I think, in that it can be composed on a basis either highly
inspirational or highly logical (mathematical) and still remain
Music.* It might be possible to describe music as being as near as
one may come in this World to Content or Substance without Form:
within this
World
there is obviously some Form to it.
Dance,
I speculate, on the basis of [0] (and [1]**?) is at A~, and of
course*** is the most corruptible of the Arts (I am not sure that I
regard a pornographic film as Drama so much as simply a recording of
the sexual act); but there is a link and a consequent ambiguity,
manifested in all three books, between R~ (Musicians) and A~
(Dancers). (There is also a link between A~ and S~, where Harmony is
found as the Inner Quality; Musical Harmony is of course dependent on
mathematical relationships, although (like mathematics?) approachable
intuitively.)
I
speculate that as the emphasis in a written performance shifts from
the written work to the actors themselves, so the location [on the
Circles] moves further from G~ (creative literature) through J~
(visual art – stage design etc.) to A~ (dance – there is a
tendency for modern productions of, for example, Shakespeare to
become part choreographed dance, and for the actors to be gymnasts of
an impressive versatility.). (Shakespeare himself, as a
poet-dramatist, would tend in the other direction, I suppose.)
*[cf.
J.S. Bach]
**[[1]
extensively revised and expanded in 2016-2018]
***[Naturally!]
[continues]
[PostedBlogger14for15122017]
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