[Redbook6:15-17][19881026:1617]{A
Writing Career?}[26th October 1988]
19881026.1617
‘Increasingly
the term “postmodern” is being used by Hungarian critics to
describe Esterházy’s* work. Whatever one’s reservations
concerning the usefulness of this term, there are fairly obvious
reasons for associating aspects of Esterházy’s work with the
self-proclaimed postmodernism of much contemporary American, French
and German fiction –
the
fusion of high and low culture,
the
incorporation of quotations and cultural “ready-mades”,
the
subversion of subjectivity,
and
the loss of any representative sense of the “real”.’**
This,
and Anthony Burgess’ article on J.B.Priestley*** a fortnight later,
gave me the happy thought that I might have classified myself at
last: as a middle-brow postmodernist whose time has been and gone and
might just be coming back again.
I
was, therefore, disconcerted, switching on the television
accidentally to the pre-Booker Prize T.V. panel yesterday, to hear
one of the panel say that he hoped not to read any more books about
angels
(among other things). I think
that was what he said: it is terrible to think that my time may not
only have come and gone earlier in the Century, before I was born,
but have come again during my writing lifetime and gone so fast that
I was not even aware of it: between books, as it were. You certainly
have to have your wits about you nowadays, if you want to make a
career out of writing.
*{Who
he?}
[Presumably:
‘Péter Esterházy (14 April 1950 – 14 July 2016) was a Hungarian
writer. He was one of the best known Hungarian and Central European
writers of his era. He has been called a "leading figure of 20th
century Hungarian literature", his books being considered to be
significant contributions to postwar literature…. He wrote in a
style that can be characterised as postmodernist.’ (Wikipedia)]
**Richard
Aczal, T[imes] L[iterary] S[upplement] Oct[ober] 7-13, 1988 p1122.
***T[imes]
L[iterary] S[upplement] Oct[ober] 21-27 1988, p1163.
[continues]
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