[Redbook8:166-167*][19901231:1301d]{Geometric Pottery}[31st December 1990]
19901231.1301
[continued]
(Pottery Greek)
‘Geometric style. Around 900 BC[E] another great step forward occurred, into the Geometric style proper. Some of the old motifs, concentric circles for example, were dropped, but others such as zig-zags and triangles were elaborated. New elements were introduced, including meanders, swastikas, and a variety of linear and essentially Geometric designs.’**
***
‘Around 800BC[E] the first figures were introduced: horses, then goats and deer,**** birds, dogs, lions, and finally human beings.# Drawings were in silhouette, and remained schematic. The artist drew what he knew to exist, rather than what he saw.’#*
#**
*{[Copy illustration from] E[ncylopaedia of] V[isual] A[rt]1:116 <inserted 910725> [on ms p167]
[‘An Attic Geometric grave-amphora by the Dipylon Master; […]; National Museum, Athens’]}
{cf [[Redbook8:161][19901229:1210d]{Crisis Resolution in Aegean Pottery Cycles}[29th December 1990]&f,] 161,
[[Redbook8:162][19901229:1210f]{Mycenaean Frescoes}[29th December 1990]ff,
& [Redbook8:162][19901229:1210h]{Marine Spirals}[29th December 1990]&f,] 162}
**(including rosettes)
*** ibid [Encylopaedia of Visual Art 1,] 115
****
J~; R~-C, G~;
#S~; M~-U~?, U~; A~??#***
#*{cf [[Redbook8:236-237][19910207:1615]{Evolution on Archaic Greek Vases}[7th February 1991],] 236#****
IX [] 137}
#**[ibid, presumably]
#***[Sic. Why not R~?]
#****[ref presumed to be to corrected ms page numbering];
{<19910203>}
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