{[Islamic Art –] Visual Arts [continued –] The Late Period [continued (8)]}[21st April 1991]

 [Redbook9:173][19910421:1410xx]{[Islamic Art –] Visual Arts [continued –] The Late Period [continued (8)]}[21st April 1991]

19910421:1410

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*All this* raises acutely – both for comparative arts and for comparative cultures – the question of why some cycles dissolve around G~-C and some ‘harden’ into a kind of paralysis of function. I suspect that the answer is to be found right back at what happened around C-M~.***

*{(re [[Redbook9:171][19910421:1410ss]{[Islamic Art –] Visual Arts [continued –] The Late Period [continued (3)]}[21st April 1991],] 171}

**[Presumably, [Redbook9:170][19910421:1410qq]{[Islamic Art –] Visual Arts [continued –] The Late Period}[21st April 1991]ff, to last previous ts journal entry]

***[&/or perhaps to the influence of neighbouring cultures on the culture which has reached the G~-C quarter?]

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