{[Islamic Art –] Visual Arts [continued –] Late arts of the book (1)}*[21st April 1991]

[Redbook9:168-169][19910421:1410mm]{[Islamic Art –] Visual Arts [continued –] Late arts of the book (1)}*[21st April 1991]

19910421:1410

[continued]

‘Shiraz had been a pioneer in the introduction of elegant floral decoration into illumination in the final decades of the 14^th century;** now there were added numerous Chinese motifs – dragon and phoenix, lions playing with ribbons, ducks and wild geese.’

***

*{ref [[Redbook9:134][19910420:0953i]{Art Cycles (2 [continued])}[20th April 1991],] 134}

{+ [[Redbook9:166][19910421:1410ii]{[Islamic Art –] Visual Arts [continued –] Invasion and Migration [continued (3)]}[21st April 1991],] 166}

**{2048J~1408[ce]}

*** – ibid [Encyclopaedia of Visual Arts 3:453]

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