{Dionysus and Apollo [continued (3)]}[5th February 1991]

[Redbook8:211][19910205:1030e]{Dionysus and Apollo [continued (3)]}[5th February 1991]

19910205:1030

[continued]

The circle is, as before,* slightly skewed: hence the appearance of classical expressions, both statically and dynamically, among the manifestations of (sometimes extreme) romanticism around R~.

(This can also be interpreted, of course, as the appearance of [inner] s~ along with [outer] R~, both by contra-rotation and in the tendency to Unity approaching C).

*(See earlier Vols [])

**{(CRISIS APPROACH PHASE:)}

The manifestation of this phenomenon can be a sequence of overlapping alternations of (upper) ‘left’ and ‘right’ expressions in the quadrant G~-R~-C, appearing as (for example) ‘romantic’ & ‘classical’ periods in art – in a generally more pronounced way than at earlier degrees of the circle, and with perhaps a higher frequency of change (possibly with rapidly shortening sub-cycles making intermediate cycle identification difficult)<[19910205].2308>***

***(This can appear as an increasing vacillation between two fundamentally different options)<[19910205].2318>

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