{Modern Art [continued (144)]}{Impressionism [continued]}[Extracts from source text with ms notes][16th May 1991]

[Redbook10:111][19910516:0930kl]{Modern Art [continued (144)]}{Impressionism [continued]}[Extracts from source text with ms notes][16th May 1991]

19910516:(0930c)

[continued]

(The article* then mentions the Neo-Impressionists’ systematic approach to color, “enthusiastically espoused by Pissarro between 1886-1888[ce]”,** eg optical mixture, the juxtaposition of two colours in dots to produce a third colour; and the Neo-Impressionist Paul Signac’s criticism of Impressionist painting for its failure to organize and arrange its forms on the canvas.)

***

*[Encyclopaedia of Visual Art 5, Chapter 42; extracts [Redbook10:101][19910516:0930jq]{Modern Art [continued (123)]}{Impressionism [continued]}[Extracts from source text with ms notes][16th May 1991]ff]

**per ibid [(Encyclopaedia of Visual Art 5:794)]

***(See also ibid**** 796 re viewpoints in landscapes, esp[ecially] influence of Cezanne’s overlapping planes on Picasso’s and Braque’s Cubist paintings of 1908-11[ce])

****[Encyclopaedia of Visual Art 5:796]

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