{Modern Art [continued (140)]}{Impressionism [continued]}[Extracts from source text with ms notes][16th May 1991]

[Redbook10:109][19910516:0930kh]{Modern Art [continued (140)]}{Impressionism [continued]}[Extracts from source text with ms notes][16th May 1991]

19910516:(0930c)

[continued]

‘However, this use of color only evolved gradually. ...It was Monet who began to introduce a wider range of colour into his work, introducing into pictures such as “Terrace at Sainte-Adresse” (1867[ce]; Metropolitan Museum, New York) strong color contrasts and some soft blue shadows. Effects such as these, though, initially appear only in some sunlit effects,* and many Impressionist paintings of the early 1870s [ce],** for instance Pissarro's “Penge Station” (1871[ce]; Courtauld Institute Galleries, London), remain dominantly tonal in their structure. Throughout the 1870s,*** indeed, the color range of individual paintings depended closely on the subject and type of weather shown).’

****

*(sic)

**16C1872[ce]

***16C1872|g~M~1876|A~1880[ce]

****[ibid (Encyclopaedia of Visual Art 5:793)]

[Source text continues from last previous ts journal entry]

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