{Modern Art [continued (126)]}{Impressionism [continued]}[Extracts from source text with ms notes][16th May 1991]

[Redbook10:103][19910516:0930jt]{Modern Art [continued (126)]}{Impressionism [continued]}[Extracts from source text with ms notes][16th May 1991]

19910516:(0930c)

[continued]

‘In 1863[ce], a rallying point was provided for them by the Salon des Refusés (an officially* sponsored exhibition of the paintings rejected from the official Salon in that year), and in particular by Monet's major work shown there, Le Dejeuner sur l'Herbe (Musée de Jeu de Paume,

Paus). By the late 1860s[ce], Manet & Degas were in close touch with the other painters; the Café

Guerbois became the meeting place of the group, where they aired their opinions on art. Until 1870[ce] they all continued to submit their work to the Salon, but, after some initial

success, they were generally refused by the jury; a project of Monet & Bazille for an independent

exhibition in 1867[ce] came to nothing, but was the germ of the exhibition of 1874[ce].**

***

*(NB) 

64C1856|r~S~1864[ce] – start of Crisis Resolution phase

**[See last 3 previous ts journal entries, [Redbook10:101][19910516:0930jq]{Modern Art [continued (123)]}{Impressionism [continued]}[Extracts from source text with ms notes][12th May 1991]ff]

***[ibid (Encyclopaedia of Visual Art 5:789)]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]

[continued]

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