{Classical Greek Dramatists [continued (11)][– Euripides [continued (7)]]}[14th February 1991]

[Redbook8:256][19910214:1610k]{Classical Greek Dramatists [continued (11)][– Euripides [continued (7)]]}[14th February 1991]

19910214.1610

[continued]

‘“Bacchants”. This play is regarded by many as Euripides’ masterpiece. In “Bacchants” (c[irca] 406BC[E], Greek Bakchai; Latin Bacchae) the god Dionysus arrives in Greece from Asia intending to introduce his orgiastic worship there. He is disguised as a charismatic young Asian holy man and is accompanied by his woman votaries, who make up the play’s chorus. He expects to be accepted first in Thebes, but the Thebans reject his divinity and refuse to worship him, and the city’s young king, Pentheus, tries to arrest him. In the end Dionysus drives Pentheus insane and leads him to the mountains, where Pentheus’ own mother, Agave, and the women of Thebes in a Bacchic frenzy tear him to pieces. Agave returns to Thebes triumphant varrying Pentheus’ head, and her father, Cadmus, has to lead her back to sanity and recognition. The play shows how the liberating and ecstatic side of the Dionysiac religion must be balanced against the dangerous irresponsibility that goes with the Dionysiac loss of reason and self-consciousness.’

– ibid [Encyclopaedia Britannica 20: 396]

[cf [Redbook8:211][19910205:1030d]{Dionysus and Apollo}[5th February 1991]]

[continued]

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