{Modern Art [continued (181)]}(Post-Impressionism: Seurat, Gauguin, Van Gogh)[Extracts from source text with ms notes][17th May 1991]

[Redbook10:117][19910517:1400g]{Modern Art [continued (181)]}(Post-Impressionism: Seurat, Gauguin, Van Gogh)[Extracts from source text with ms notes][17th May 1991]

19910517.1400

[continued]

This beautifully illustrates at least some* of the ‘branches’ which arise on the left outer semi-circle – eg. recall, the female (“symbol”),** and advance – as well as the influence, in two of the cases,*** of the (upper?) right semi-circle; it also suggests a possible order of time or circle location in which each of those is strongest, and one which generally fits other examples.****

*(perhaps all?)

**(cf → Gauguin↑;# & [[Redbook10:125-128][19910517:1400#]{Modern Art [continued (#)]}(~Gauguin)[Extracts from source text with ms notes][16th May 1991],] 125↓)

***(for the 2^nd, see next quote [in next ts journal entry])

{(What’s the first?)}

****(see left marginal notes#* above)

[Presumably/possibly, [Redbook10:116][19910517:1400b]{Modern Art [continued (176)]}(Post-Impressionism: Seurat, Gauguin, Van Gogh)[Extracts from source text with ms notes][16th May 1991]ff]

#[ref unclear]

#*[ie ts footnotes]

[continued]

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