{Modern Art [continued (21)]{– Impressionist Painting}}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:71][19910512:1718fo]{Modern Art [continued (21)]{– Impressionist Painting}}[Extracts from source text with ms notes][12th May 1991]

19910512.1718

[continued]

‘The appearance of a new generation seeking recognition posed the question* in another way. Georges Seurat was moving away from the empirical** standpoint of Impressionism towards a technique (Pointellism) and a form that were increasingly deliberately designed. Paul Gauguin, taking his starting point *** from Cezanne's style of about 1880[ce], passed from a capricious personal type of Impressionism to a type of painting that was symbolic in method and often in subject. He exhibited with the Impressionists from 1880[ce]**** onward, and it was soon evident that the group shows could no longer accommodate all the divergent trends.

#

*[See presumably last previous ts entries above]

**U~

***(sic)

****64j~|U~||32m~|G~1880[ce]

# – [ibid (Encyclopaedia Britannica 25:369)]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]

[continued]

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