{Modern Art [continued (11)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:66][19910512:1718fe]{Modern Art [continued (11)]}[Extracts from source text with ms notes][12th May 1991]

19910512.1718

[continued]

‘The reliance on the separate, undisguised touch of the brush in the form that became characteristic of Impressionism is perhaps first apparent in sketches of the sea* at Dieppe painted by Delacroix in 1852[ce].** The economy of Manet's touch in the 1860s[ce]*** was affected by Spanish and Dutch examples as well as by Delacroix, but his seascapes**** and racecourse pictures of 1864[ce] are significant. It was in painting the sunlit # ripples of the Seine river at La Grenouillère in 1869[ce]#* that Monet and Renoir developed the full impressionist style, and many of the most characteristic of Monet's later pictures represent light on water.#**

#***

*R~

**64R~1848|C1856[ce]

***64r~|S~1864[ce]

****R~

#

		C
	/
R~

#*64g~|M~1872[ce]

#**

	C
	/	/
R~	/
	{r~}

#*** [– ibid (Encyclopaedia Britannica 25:367)]

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