(Neoclassicism & Romanticism) ROMANTICISM [continued (51)] [Extracts from source text with ms notes][12th May 1991]

[Redbook10:61][19910512:1718en](Neoclassicism & Romanticism) ROMANTICISM [continued (51)] [Extracts from source text with ms notes][12th May 1991]

19910512.1718

[continued]

‘While these developments effectively challenged the Romantics' claims to modernity, much of the imaginative imagery of the movement survived in the art of the later 19th century [ce]. It can be found, for example, in the wistful medievalism of Dante Gabriel Rosetti (1828-82[ce]) or in the macabre fantasy of Gustave Doré (1832-83[ce]). The movement left a more permanent legacy in its expressiveness and * exploration of the irrational, which have been an inspiration to such movements as Symbolism, Expressionism, & Surrealism. The image of the artist as an ** independent, self-determining original, moreover, has remained a cherished ideal of the avant-garde.’

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*R~

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*** – ibid [(Encyclopaedia of Visual Art)]: 768

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