{The Renaissance (again) [continued (9)]}{– The Hero}[1st May 1991]

[Redbook9:241][19910501:0800ww]{The Renaissance (again) [continued (9)]}{– The Hero}[1^st May 1991]

19910501:0800

[continued]

‘Given the potentiality of Man to incline either to base pleasure or towards higher things, it was naturally the latter which presented the Renaissance with their* ideal man,** the hero, formed from the antique mold.*** A hero was not simply ****bold, # strong, ingenious in battle,#* but led a life which reflected the nobility of his soul,#** his high morality, #*** and his wisdom: he was magnanimous#*** in his relations with others, and conducted himself with dignity.## All his actions were founded in reason,##* on the domination of the emotions by the will.##**

##***

*[sic]

**[C?]

[Square brackets per ms]

***(sic)

****(bould?)

[See ↑ last previous footnote, above]

#M~,U~

#*M~?

#**s~

#***s~,r~

#****m~

##s~

##*m~

##**s~>r~

(Trouble is, emotions have a way of getting back at you....)

[They are there for a Reason!]

##*** – ibid [Encyclopaedia of Visual Art 4:] 631

[Source paragraph continued in next ts journal entry]

[continued]

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