{Renaissance Sculpture [continued (12)](High Renaissance and Mannerism [continued])[Michelangelo [continued]]}[30th April 1991]

[Redbook9:217][19910430:1230l]{Renaissance Sculpture [continued (12)](High Renaissance and Mannerism [continued])[Michelangelo [continued]]}[30th April 1991]

19910430.1230

[continued]

‘It is this subtle balance and adjustment of parts to create a unified and harmonious whole that places this work* firmly in the High Renaissance style that was appearing simultaneously in painting and architecture.’

**

*Michelangelo’s “David”

** – ibid [Encyclopaedia Britannica 27:] 97

(illus[tration] on ibid [Encyclopaedia Britannica 27:] 96)

(illus[tration] included for cf with

[[Redbook9:244-259][19910505:1200]{‘Renaissance Style’}[5th May 1991],] 246,

[[Redbook9:244-259][19910505:1200]{‘Renaissance Style’}[5th May 1991],] 247,

[[Redbook9:317-338][19910511:1000]{‘The Baroque’}[11th May 1991],] 320

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[The illustration referred to, captioned ‘Figure 59: “David” marble statue by Michelangelo, 1501-04[ce] in the Accademia, Florence. Height 5.49m.’, is reproduced in the ms but not in the ts]

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