{Modern Art [continued (149a)]}{Impressionism [continued]}[Extracts from source text with ms notes][16th May 1991]

[Redbook10:113][19910516:0930kq]{Modern Art [continued (149a)]}{Impressionism [continued]}[Extracts from source text with ms notes][16th May 1991]

19910516:(0930c)

[continued]

*|(The article** {broadly} compares Impressionism to Positivist philosophy – the interest in modern man in his every day environment, and in modes of perceiving the world.***

****

*|{[Marginal emphasis]}|*

**[Encyclopaedia of Visual Art 5, Chapter 42; extracts [Redbook10:101][19910516:0930jq]{Modern Art [continued (123)]}{Impressionism [continued]}[Extracts from source text with ms notes][16th May 1991]ff]

***{‘[The Positivists]*** used the terms “sensation” and “impression” to describe the stimuli received by the senses from the outside world, a vocabulary adopted by the Impressionists.’}|*

#

****per ibid [(Encyclopaedia of Visual Art 5:801)]

#{– ibid [(Encyclopaedia of Visual Art 5:801)]}

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