Thursday, 16 July 2026

{Modern Art [continued (75)]}[Extracts from source text with ms notes][12th May 1991]

[Redbook10:82-83][19910512:1718hs]{Modern Art [continued (75)]}[Extracts from source text with ms notes][12th May 1991]


19910512.1718

[continued]



{– Futurist Sculpture}

‘Duchamp-Villon may have been influenced by Umberto Boccioni, one of the major figures in the Italian Futurist movement and a sculptor who epitomised the Futurist love of force & energy deriving from the machine. In “Unique Forms of Continuity in Space” (Figure 76)* and “Head + House + Light” (1911[ce]), he carried out** his theories that the sculptor should model objects as they interact with their environment, thus revealing the dynamic essence of reality.’

***



*[Figure 76 not included in ms or ts]


**[sic]


*** – ibid [Encyclopaedia Britannica 27:108]



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