[Redbook10:82-83][19910512:1718hs]{Modern Art [continued (75)]}[Extracts from source text with ms notes][12th May 1991]
19910512.1718
[continued]
{–
Futurist
Sculpture}
‘Duchamp-Villon
may have been influenced by Umberto Boccioni, one of the major
figures in the Italian Futurist movement and a sculptor who
epitomised the Futurist love of force & energy deriving from the
machine. In “Unique Forms of Continuity in Space” (Figure 76)*
and “Head + House + Light” (1911[ce]), he carried out** his
theories that the sculptor should model objects as they interact with
their environment, thus revealing the dynamic essence of reality.’
***
*[Figure 76 not included in ms or ts]
**[sic]
*** – ibid [Encyclopaedia Britannica 27:108]
[continued]
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