{‘The Rococo’ [Extracts from source text with ms notes][continued (18)]}[11th May 1991]

[Redbook9:344][19910511:1000yy]{‘The Rococo’ [Extracts from source text with ms notes][continued (18)]}[11th May 1991]

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[continued]

*

**

*The Assumption of the Virgin in the Church of Rohr by Egid Quirin Assam; 1722[ce]

[The illustration on the source text** is reproduced in the ms but not in the ts; the illustration above is from the Web]

[Ref last previous ts journal entry]

**[– ibid (Encyclopaedia of Visual Art) 4:728]

[continued]

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{‘The Rococo’ [Extracts from source text with ms notes][continued (17)]}[11th May 1991]

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[continued]

*

**

*[See next ts journal entry]

**[– ibid (Encyclopaedia of Visual Art) 4:728]

[Source text continues in next ts journal entry but one]

[continued]

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{‘The Rococo’ [Extracts from source text with ms notes][continued (16)]}[11th May 1991]

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‘North of Dresden, in Frederick the Great’s Berlin, Neoclassicism began earlier than elsewhere in Germany. This style ran parallel with the Rococo in the decoration of royal palaces, *

**

***

*[Text continues in photocopied extract immediately following it]

{The deterioration in handwriting here has to do with the number of cuttings interleaved beneath the writing surfaces}

**[See [Redbook9:313][19910510:0904x]{Baroque Architecture [continued (24)]}[10th May 1991]]

***[– ibid (Encyclopaedia of Visual Art) 4:725-728]

[continued]

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{‘The Rococo’ [Extracts from source text with ms notes][continued (15)]}[11th May 1991]

[Redbook9:343][19910511:1000ww]{‘The Rococo’ [Extracts from source text with ms notes][continued (15)]}[11th May 1991]

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[continued]

*

**

*[Footnotes above:]

{cf [[Redbook9:229][19910501:0800w]{Renaissance Architecture [continued (23)]}[1^st May 1991],] 229,

[[[Redbook9:364][19910501:1817#]{Bubbles]}[1^st May 1991],] 364}

** The interior of Vierzehnheiligen showing both the high altar and the Gnadenaltar***

[– ibid (Encyclopaedia of Visual Art) 4:727]

[The source illustration is in colour but this greyscale photocopy probably shows more clearly the aspects referred to in the footnote references]

***[The Grace altar – see [Redbook9:342][19910511:1000tt]{‘The Rococo’ [Extracts from source text with ms notes][continued (46)]}[11th May 1991] above]

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{‘The Rococo’ [Extracts from source text with ms notes][continued (14)]}[11th May 1991]

[Redbook9:343][19910511:1000vv]{‘The Rococo’ [Extracts from source text with ms notes][continued (14)]}[11th May 1991]

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[continued]

*

**

*[Marginal note above:]

cf II. [[Redbook2:237-238][19820809:0845b]{A Dream: The Unfinished Cathedral/Church}[9^th August 1982],] 237

**[– ibid (Encyclopaedia of Visual Art) 4:727]

[See above [Redbook9:342][19910511:1000ss]{‘The Rococo’ [Extracts from source text with ms notes][continued (11)]}[11th May 1991]ff & next ts journal entry]

[continued]

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{‘The Rococo’ [Extracts from source text with ms notes][continued (13)]}[11th May 1991]

[Redbook9:342][19910511:1000uu]{‘The Rococo’ [Extracts from source text with ms notes][continued (13)]}[11th May 1991]

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[continued]

*

*The high altar of Vierzhnheiligenby J.J.M. Kuchel.

[The illustration on the source text** is reproduced in the ms but not in the ts; the illustration above is from Wikipedia]

[– ibid (Encyclopaedia of Visual Art) 4:726]

[See last two previous & next ts journal entries]

[continued]

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{‘The Rococo’ [Extracts from source text with ms notes][continued (12)]}[11th May 1991]

[Redbook9:342][19910511:1000tt]{‘The Rococo’ [Extracts from source text with ms notes][continued (12)]}[11th May 1991]

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[continued]

*

*The second, Grace altar in the church of Vierzhnheiligen, designed by J.J.M. Kuchel; c[irca]1764.

[The illustration on the source text** is reproduced in the ms but not in the ts; the illustration above is from Wikipedia]

**[– ibid (Encyclopaedia of Visual Art) 4:726]

[See last previous & next ts journal entries]

[continued]

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{‘The Rococo’ [Extracts from source text with ms notes][continued (11)]}[11th May 1991]

[Redbook9:342][19910511:1000ss]{‘The Rococo’ [Extracts from source text with ms notes][continued (11)]}[11th May 1991]

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[continued]

*

**

*[Topnote above: see reproduction above]

** [– ibid (Encyclopaedia of Visual Art) 4:726]

[See next two ts journal entries]

[continued]

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{‘The Rococo’ [Extracts from source text with ms notes][continued (10)]}[11th May 1991]

[Redbook9:341][19910511:1000rr]{‘The Rococo’ [Extracts from source text with ms notes][continued (10)]}[11th May 1991]

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[continued]

*

**

*[Footnote partially shown above:]

{

cf [[Redbook9:229][19910501:0800w]{Renaissance Architecture [continued (23)]}[1^st May 1991],] 229,

[[Redbook9:364][19910501:1817#]{Bubbles]}[1^st May 1991],] 364,

X [[Redbook10:360][19910716:0000#]{Eddies}[7th July 1991],] 360,

XI [] 41

}

**The Kaiseraal in the Residenz at Würzburg, with its ceiling painted by Giambattista Tiepolo; 1749-54[ce]

– ibid [Encyclopaedia of Visual Art 4:] 724

[The source illustration is in colour but this greyscale photocopy probably shows more clearly the aspects referred to in the footnote references]

[continued]

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{‘The Rococo’ [Extracts from source text with ms notes][continued (9)]}[11th May 1991]

[Redbook9:341][19910511:1000qq]{‘The Rococo’ [Extracts from source text with ms notes][continued (9)]}[11th May 1991]

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[continued]

*

**

*[text continued:]

‘...were often conceived as vast Baroque monsters and subsequently decorated in a more intimate Rococo style.’

** – ibid [Encyclopaedia of Visual Art 4:] 724-5

[Source text continues from last previous ts journal entry]

[continued]

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{‘The Rococo’ [Extracts from source text with ms notes][continued (8)]}[11th May 1991]

[Redbook9:341][19910511:1000pp]{‘The Rococo’ [Extracts from source text with ms notes][continued (8)]}[11th May 1991]

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[continued]

*

**

*[See last previous ts journal entry]

** – ibid [Encyclopaedia of Visual Art 4:] 724

[Source text continues in next ts journal entry]

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