{‘The Baroque’ [Extracts from source text with ms notes][continued (6)]}[11th May 1991]

[Redbook9:319][19910511:1000f]{‘The Baroque’ [Extracts from source text with ms notes][continued (6)]}[11th May 1991]

19910511:1000

[continued]

*

**

*[Footnote above:]

cf [[Redbook9:217][19910430:1230l]{Renaissance Sculpture [continued (12)](High Renaissance and Mannerism [continued])[Michelangelo [continued]]}[30th April 1991],] 217,

[[Redbook9:244-259][19910505:1200]{‘Renaissance Style’}[5th May 1991],] 246,

[[Redbook9:244-259][19910505:1200]{‘Renaissance Style’}[5th May 1991],] 247

[The comparison intended here is between the following four Davids:

‘David’ by Donatello,; bronze; height 158cm (62in); c[irca]1430[ce]. Museo Nazionale. Florence.

‘David’, by Andrea del Verrocchio; bronze; height 126cm (50in); c[irca]1465. Museo Nazionale. Florence.

‘David’ marble statue by Michelangelo, 1501-04[ce] in the Accademia, Florence. Height 5.49m.

‘David’ by Bernini: marble; height 170cm (67in); 1673[ce]. Museo e Galleria Borghese, Rome. (illustrated above)

The three not shown are reproduced from the source text in the ms but not in the ts; illustrations are readily available elsewhere and should be compared with the fourth (shown above).]

**[– Encyclopaedia of Visual Art 4:698]

[See next ts journal entry]

[continued]

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