[Redbook9:297][19910508:0903b]{Baroque Sculpture [continued]}[8th May 1991]
19910508:0903
[continued]
‘No
field was more congenial to the spirit of Baroque art than sculpture
carried out on a conspicuous scale. The Baroque artist achieved
dramatic pictorial unity by abolishing the traditional limits
separating painting, sculpture & architecture.* The solid masses
of sculpture & even of architecture were made to move in space by
means of such motive forms as undulations; sculpture was transformed
by such painter’s devices as richly varied illusionistic textures,
coloured materials, & irregularly dappling light effects.
**
*{cf the modern interest (eg early 19th century [ce]) in unifying Art, Literature and Music)}
** – [From] Encyclopaedia Britannica 27:98-100
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