{Baroque Architecture [continued (6)]}[10th May 1991]

[Redbook9:305][19910510:0904f]{Baroque Architecture [continued (6)]}[10th May 1991]

19910510:0904

[continued]

*

**

*[Marginal notes:]

s~

C ↑*** ?

↑/ \↑*** ?

↑***

[re Maderno, see last previous ts entry]

**– ibid [Encyclopaedia Britannica] 13: (1013-)1014

[Source text continues from last previous ts journal entry]

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***[Arrow/s curved as in scan above]

[continued]

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{Baroque Architecture [continued (5)]}[10th May 1991]

[Redbook9:305][19910510:0904e]{Baroque Architecture [continued (5)]}[10th May 1991]

19910510:0904

[continued]

*

**

*[Marginal notes:]

2048mms~|GGR~|64C1600[ce]

[Figure 71 referred to is included in the ms but not in the ts]

{C, s~}

cf VIII: [[[Redbook8:176-177][19910120:0945b]{A Dream: Utopia Square? [continued]}[20th January 1991]&f,]] 176-177

**– ibid [Encyclopaedia Britannica] 13: (1013-)1014

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]

[continued]

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{Baroque Architecture [continued (4)]}[10th May 1991]

[Redbook9:305][19910510:0904d]{Baroque Architecture [continued (4)]}[10th May 1991]

19910510:0904

[continued]

*

**

*[Marginal notes:]

64A~1696|J~1704[ce]

2048mss~|GRR~1728[ce]

2048s~|R~|64C1792[ce]

R~?

**– ibid [Encyclopaedia Britannica] 13: (1013-)1014

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]

[continued]

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{Baroque Architecture [continued (3)]}[10th May 1991]

[Redbook9:304-305][19910510:0904c]{Baroque Architecture [continued (3)]}[10th May 1991]

19910510:0904

[continued]

[/...]***

*

**

*[Marginal notes: ]

{2048GGR~|64C1600[ce]

64G~1712}

cf VIII: [[Redbook8:176-177][19910120:0945b]{A Dream: Utopia Square? [continued]}[20th January 1991]&f,] 176-177

**– ibid [Encyclopaedia Britannica] 13: 1013-1014

[Source text continues from last previous ts journal entry]

[First 3 lines repeated from last previous extract, to allow inclusion in full of first marginal note]

[Source text continues in next ts journal entry]

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{Baroque Architecture [continued]}[10th May 1991]

[Redbook9:304][19910510:0904b]{Baroque Architecture [continued]}[10th May 1991]

19910510:0904

[continued]

*

**

*[Marginal note ‘NB’ applies here; the fragment below it belongs with the next extract]

**– ibid [Encyclopaedia Britannica] 13: 1013(-1014)

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]

[continued]

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{Baroque Architecture}[10th May 1991]

[Redbook9:304][19910510:0904]{Baroque Architecture}[10th May 1991]

19910510:0904

(Baroque Architecture)

*

**

*[Marginal & foot notes:]

2048GGR~|64C1600[ce]

{NB}

{NB! → R~←|→s~}

2048R~|64C1792[ce] – but see ↓

{64A~1952(|G~1968|C1984)[ce]}

**– ibid [Encyclopaedia Britannica] 13: 1013(-1014)

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[continued]

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{Baroque Sculpture [continued (21)]}[8th May 1991]

[Redbook9:303][19910508:0903u]{Baroque Sculpture [continued (21)]}[8th May 1991]

19910508:0903

[continued]

*[text continues] soon abandoned the rococo in favour of a Neoclassical approach. Edme Bouchardon, however, flirted only briefly with the Rococo & otherwise remained firmly attached to the classicizing tradition of French sculpture.’

**

[re marginal note: ‘– NB↓' above]

**

[Marginal note above:]

64G~1776[ce]

2048R~1792[ce]

**– ibid [Encyclopaedia Britannica 27:] 101-2

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{Baroque Sculpture [continued (20)]}[8th May 1991]

[Redbook9:303][19910508:0903t]{Baroque Sculpture [continued (20)]}[8th May 1991]

19910508:0903

[continued]

*

**

*[mns:]

64M~1744[ce]

64U~1752[ce]

NB

64A~1760[ce]

64G~1776[ce]

64R~1784[ce]

**– ibid [Encyclopaedia Britannica 27:] 101

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[continued]

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{Baroque Sculpture [continued (19)]}[8th May 1991]

[Redbook9:303][19910508:0903s]{Baroque Sculpture [continued (19)]}[8th May 1991]

19910508:0903

[continued]

*

**

*[mn:] 2048R~1792[ce]

['303' at top of section is the ms page number]

** – ibid [Encyclopaedia Britannica 27:] 101

[Source text continues from last previous ts journal entry]

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[continued]

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