Friday, 17 April 2026

(Neoclassicism & Romanticism) ROMANTICISM [continued (40)] [Extracts from source text with ms notes][12th May 1991]

[Redbook10:56][19910512:1718ec](Neoclassicism & Romanticism) ROMANTICISM [continued (40)] [Extracts from source text with ms notes][12th May 1991]


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‘During the Romantic movement landscape painting* emerged as one of the most important genres. This was partly a legacy of the veneration of the Natural inspired by the philosopher Jean-Jacques Rousseau (1712-78); but added to this was the pantheistic belief – so evident in the poetry of William Wordsworth (1770-1850) – that intimations of the Divine could be found in the workings of nature, & the observation that the moods of man could be reflected in its forms – later censured by Ruskin as the "pathetic fallacy".’**

***



*(cf IX: [[Redbook9:198-200][19910428:0955l]{Utopian Landscapes}*[28th April 1991]ff] ….

(re landscapes & utopias)



**{cf

Vol II: [eg[Redbook2:261][19821107:2300]{[1] Weather}[7th November 1982]ff,] … (19821101-21c[irca])

Vol [4] … [] …. (198710….) [Reference not found

but see [Redbook4:245-246][19871220:0000c]{The Weatherman}[20th December 1987]]

}



***{ – ibid [Encyclopaedia of Visual Art]: 759}

[Source text continues in next ts journal entry]



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(Neoclassicism & Romanticism) ROMANTICISM [continued (39)] [Extracts from source text with ms notes][12th May 1991]

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‘While most Romantic figure painters sympathised with the fantasy and spirituality of the Gothic, the Romantic period also was an attempt to revive more thoroughly the pictorial principles of the Middle Ages.’

*

(eg the German ‘Nazarenes’ in Rome).



*– ibid [Encyclopaedia of Visual Art]: 758



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(Neoclassicism & Romanticism) ROMANTICISM [continued (38)] [Extracts from source text with ms notes][12th May 1991]

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‘In portraiture, too, there was an increasing emphasis on mood. The darkening tone of Goya's late portraits witnessed not only the artist's changing disposition but also a growing cult of melancholy.’

*

(examples 1805, 1808)



* – ibid [Encyclopaedia of Visual Art: 757]



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Thursday, 16 April 2026

(Neoclassicism & Romanticism) ROMANTICISM [continued (37)] [Extracts from source text with ms notes][12th May 1991]

[Redbook10:56][19910512:1718dz](Neoclassicism & Romanticism) ROMANTICISM [continued (37)] [Extracts from source text with ms notes][12th May 1991]


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‘The interest in the passions gave a new significance to animal painting.’* (eg Stubbs, James Ward).



* – ibid [Encyclopaedia of Visual Art]: 757



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Wednesday, 15 April 2026

(Neoclassicism & Romanticism) ROMANTICISM [continued (36)] [Extracts from source text with ms notes][12th May 1991]

[Redbook10:56][19910512:1718dy](Neoclassicism & Romanticism) ROMANTICISM [continued (36)] [Extracts from source text with ms notes][12th May 1991]


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    Gericault’s ‘The Raft of the Medusa’ (1819; Louvre. Paris) ‘was an academic tour de force. Yet it moved outside the conventions of history painting by depicting a scene without a hero, and by representing the whole with a lurid pallor more nauseous than cathartic.’

*



* – ibid [Encyclopaedia of Visual Art]: 755-756



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Tuesday, 14 April 2026

(Neoclassicism & Romanticism) ROMANTICISM [continued (35)] [Extracts from source text with ms notes][12th May 1991]

[Redbook10:55][19910512:1718dx](Neoclassicism & Romanticism) ROMANTICISM [continued (35)] [Extracts from source text with ms notes][12th May 1991]


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[continued]



*



*[– ibid (Encyclopaedia of Visual Art) 753]

[Source text continues from last previous ts journal entry but one]



[continued]


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Monday, 13 April 2026

(Neoclassicism & Romanticism) ROMANTICISM [continued (34)] [Extracts from source text with ms notes][12th May 1991]

[Redbook10:54][19910512:1718dw](Neoclassicism & Romanticism) ROMANTICISM [continued (34)] [Extracts from source text with ms notes][12th May 1991]


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[continued]



*

**

***



*’Third of May, 1808’ by Goya; oil on canvas; 266x345cm (105x136in); 1814. Prado, Madrid


**[See last previous ts journal entry]


***[– ibid (Encyclopaedia of Visual Art) 752]

[This reproduction from Wikipedia]



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Friday, 10 April 2026

(Neoclassicism & Romanticism) ROMANTICISM [continued (33)] [Extracts from source text with ms notes][12th May 1991]

[Redbook10:55][19910512:1718dv](Neoclassicism & Romanticism) ROMANTICISM [continued (33)] [Extracts from source text with ms notes][12th May 1991]


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[continued]



*

**

***




*[Marginal note above:]


{64M~1808}



**[See next ts journal entry]


***[– ibid (Encyclopaedia of Visual Art) 753]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry but one]



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(Neoclassicism & Romanticism) ROMANTICISM [continued (32)] [Extracts from source text with ms notes][12th May 1991]

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[continued]




*



*[– ibid (Encyclopaedia of Visual Art) 753]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]



[continued]


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[continued]



*



*[– ibid (Encyclopaedia of Visual Art) 753]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]



[continued]


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Thursday, 9 April 2026

(Neoclassicism & Romanticism) ROMANTICISM [continued (30)] [Extracts from source text with ms notes][12th May 1991]

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[continued]



*



*[– ibid (Encyclopaedia of Visual Art) 753]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]



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Wednesday, 8 April 2026

(Neoclassicism & Romanticism) ROMANTICISM [continued (29)] [Extracts from source text with ms notes][12th May 1991]

[Redbook10:55][19910512:1718dr](Neoclassicism & Romanticism) ROMANTICISM [continued (29)] [Extracts from source text with ms notes][12th May 1991]


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[continued]



*



*[– ibid (Encyclopaedia of Visual Art) 753]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]



[continued]


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Monday, 6 April 2026

(Neoclassicism & Romanticism) ROMANTICISM [continued (28)] [Extracts from source text with ms notes][12th May 1991]

[Redbook10:54-55][19910512:1718dq](Neoclassicism & Romanticism) ROMANTICISM [continued (28)] [Extracts from source text with ms notes][12th May 1991]


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[continued]




*

**



*[Marginal note in ms:]

{[Redbook10:53][19910512:1718dm](Neoclassicism & Romanticism) ROMANTICISM [continued (24)] [Extracts from source text with ms notes][12th May 1991],} 53



**[– ibid (Encyclopaedia of Visual Art) 752-753]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]



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[continued]




*



*[– ibid (Encyclopaedia of Visual Art) 752]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]



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Sunday, 5 April 2026

(Neoclassicism & Romanticism) ROMANTICISM [continued (26)] [Extracts from source text with ms notes][12th May 1991]

[Redbook10:54][19910512:1718do](Neoclassicism & Romanticism) ROMANTICISM [continued (26)] [Extracts from source text with ms notes][12th May 1991]


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[continued]



*

**



*[Marginal notes above:]


{m~)


{G~}***


{U~

J~}



**[– ibid (Encyclopaedia of Visual Art) 752]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]



***[&/or g~, surely? – especially for Blake]



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Saturday, 4 April 2026

Neoclassicism & Romanticism) ROMANTICISM [continued (25)] [Extracts from source text with ms notes][12th May 1991]

[Redbook10:53-54][19910512:1718dn](Neoclassicism & Romanticism) ROMANTICISM [continued (25)] [Extracts from source text with ms notes][12th May 1991]


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[continued]




*



*[– ibid (Encyclopaedia of Visual Art) 751-752]

[Source text continues from last previous ts journal entry]

[Source text continues in next ts journal entry]



[continued]


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Friday, 3 April 2026

(Neoclassicism & Romanticism) ROMANTICISM [continued (24)] [Extracts from source text with ms notes][12th May 1991]

[Redbook10:53][19910512:1718dm](Neoclassicism & Romanticism) ROMANTICISM [continued (24)] [Extracts from source text with ms notes][12th May 1991]


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[continued]




*

**



*{[[Redbook10:55][19910512:1718dq](Neoclassicism & Romanticism) ROMANTICISM [continued (28)] [Extracts from source text with ms notes][12th May 1991],] 55→}


**’Elohim Creating Adam by William Blake; color print finished in watercolour (only known copy)’ 43x53cm (17x21in); 1795. Tate Gallery, London’

[– ibid (Encyclopaedia of Visual Art) 751 (the reproduction from which is not the one reproduced in the ts]



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